Common Portuguese pronunciation mistakes English speakers make
Most English speakers make the same eleven mistakes in European Portuguese, and almost all of them come from carrying English habits across. Here is each one, why it happens, and the fix.
Checked against the sources on
The most common Portuguese pronunciation mistakes English speakers make are predictable: saying every vowel at full volume, gliding e and o the way English does, puffing air after p, t and k, using an English r, saying a final s as s, ignoring written accents, and closing nasal endings with a hard n. Add a few word pairs that only the accent tells apart (avó and avô, pais and país), plus the Brazilian “tch” many learners pick up online, and you have the list.
None of these stops people understanding you on a good day. Together they make you hard to follow at a counter, on the phone, or anywhere with background noise. Each one has a specific fix. This guide covers standard European Portuguese, the kind described as the norm for the Lisbon–Coimbra region; for the sound system as a whole, start with our European Portuguese pronunciation guide.
1. Pronouncing every vowel fully
English speakers read telefone as four clear syllables. In European Portuguese most unstressed vowels rise and shrink: a final -o becomes a short u, an unstressed a becomes a neutral uh (IPA [ɐ]), and an unstressed e becomes a very short, high vowel (IPA [ɨ]) that often all but disappears. So telefone comes out close to “t’lfón” and pequenoclose to “p’kênu.”
Fix: find the stressed syllable and give it all the weight. Let the others go quiet. Practice with obrigado (“obrigádu”), desculpe (“d’shkúlp”) and pequeno-almoço. This is also the difference that most separates Portugal from Brazil; see European vs Brazilian Portuguese.
2. Gliding ê and ô like English “say” and “go”
English stretches the vowels in “say” and “go” into glides: “say-ee,” “go-oo.” Portuguese ê and ô are single, steady vowels. The trap is sharpest with the spelling ou: in standard European Portuguese, sou, pouco and outro are said with a plain closed ô, not “oh-oo.” Meanwhile eiin the Lisbon standard is not the English “ay” at all but closer to “âi” (IPA [ɐj]): feirasounds like “fâirâ.”
Fix: hold your jaw and lips still through the vowel of avô, você or mês. If you hear your mouth moving at the end, you are gliding. Northern speakers do keep ou and ei as diphthongs; that is a regional pattern, covered in Lisbon vs Porto accent, and not the same thing as an English glide.
3. Puffing air after p, t and k
At the start of a stressed syllable English p, t and kare aspirated: hold a hand in front of your mouth and say “top”; you feel a puff. European Portuguese p, t and kare plain, with no puff. A 2024 study of English–Portuguese bilinguals describes exactly this contrast between aspirated English stops and unaspirated Portuguese ones.
Fix: say pão, tu and casawith a sheet of paper in front of your lips. It should barely move. Thinking “b,” “d,” “g” without the voice gets many people there: the English “p” in “spin” is already unaspirated.
4. Using an English r
Portuguese has two r sounds, and neither is the English one. The single r between vowels (caro, para) is a quick tap of the tongue tip, like the Spanish r in para, or the “tt” in a fast American “better.” The strong r, written rr or at the start of a word (carro, rato), is increasingly said at the back of the mouth, a guttural sound near the French r, especially in the Lisbon region. A rolled tongue-tip trill is also correct.
Fix: never curl the tongue back. Drill the pair caro (expensive) and carro (car) until they are clearly different words.
5. Saying a final s as s
In standard European Portuguese an s at the end of a syllable is not a hiss. It sounds like sh before a voiceless consonant or a pause (pastas pretas, estás), like the sin “measure” before a voiced one (mesmo), and like z before a vowel (olhos azuis).
Fix: read plurals aloud with the sh in place: os meus pais is roughly “ush mêush páish.” Then practice the z linking: os amigosruns together as “uzamígush.”
6. Mixing up avó and avô
Avó is grandmother; avô is grandfather. The only difference is the vowel: the acute accent marks an open ó, with the mouth wide, and the circumflex a closed ô, close to the oof “go” without the glide. Without an accent the letter can go either way: porta has an open o, Porto a closed one.
Fix: learn open and closed as two separate vowels, not one vowel with variations. Say a minha avó e o meu avô slowly until the two are clearly different. The same pairing exists for e: open é in café, closed ê in você.
7. Mixing up pais and país
Pais (parents) is one syllable: the aiis a diphthong, like “pie” with a sh on the end. País (country) is two syllables, pa-ís, and the stress falls on the í. Say “paísh” with the weight on the second half. The accent is there precisely to break the diphthong.
Fix: clap the syllables. One clap for pais, two for país. The same logic applies to saída (exit, three syllables) and saúde (health).
8. Ending nasal words with a hard n
English speakers read bem, também or homemas if they ended in “-em” or “-en” with the lips or tongue closing. In the standard, final -em is a nasal diphthong, the same sound as the end of mãe. The m is a spelling of nasality, not a consonant you close on.
Fix: say mãe, then bem with the same ending, keeping your mouth open and letting the air go through your nose. Nasal vowels deserve a guide of their own, and they have one: Portuguese nasal vowels.
9. Saying lh as l + y
Learners read filho as “feel-yo” and trabalhoas “trabal-yo.” But lh is one sound, a palatal l (IPA [ʎ]), made with the middle of the tongue pressed flat against the roof of the mouth. Its partner nh, as in Minho or vinho, is the palatal nasal, close to Spanish ñ.
Fix: keep your tongue tip down behind your lower teeth and press the middle of the tongue up as you say l. The “lli” in “million” is the nearest English, but in Portuguese it is a single sound with no separate y. Practice olho, mulher, melhor.
10. Ignoring written accents
Portuguese accent marks are instructions, not decoration. They show where the stress falls, and the acute and circumflex also tell you whether the vowel is open or closed. Move the stress and you change the word: está (is) versus esta (this), falámos (we spoke) versus falamos (we speak).
Fix: when a word has an accent, stress that syllable, whatever your instinct says: médico, máquina, música, telemóvel. When it has none, words ending in -a, -e or -o (or those plus -s), or in -am, -em or -ens, stress the second-to-last syllable: casa, falam.
11. Saying “tch” for t before i
Much of the free Portuguese audio online is Brazilian, and in most of Brazil t and d before an isound turn into “tch” and “dj”: tia as “tchia,” denteas “dentchi.” That palatalization does not happen in Portugal.
Fix: keep a clean t and d: tia, dia, noite. Because the final e fades, noite ends almost on the t, and dente ends almost on the ttoo. If you hear “tch” in your practice audio, check which country it was recorded for.
Summary: the mistakes and the fixes
| Mistake | Example | The fix |
|---|---|---|
| Full vowels everywhere | telefone, pequeno | Stress one syllable; let unstressed vowels shrink |
| English glides on ê, ô, ou | sou, avô, feira | Steady vowel; ou = closed ô; ei ≈ “âi” in the standard |
| Aspirated p, t, k | pão, tu, casa | No puff of air, as in English “spin” |
| English r | caro / carro | Tongue-tap for r; guttural or trilled for rr |
| Final s as s | estás, mesmo | sh / zh, and z before a vowel |
| Open vs closed o | avó / avô | Acute = open, circumflex = closed |
| Diphthong vs two syllables | pais / país | One syllable vs two, stress on í |
| Hard n on nasal endings | bem, também | Same ending as mãe; no closure |
| lh as l + y | filho, trabalho | One palatal sound; tongue flat on the palate |
| Ignoring accent marks | está / esta | Stress the accented syllable |
| Brazilian “tch” | tia, noite | Clean t and d before i |
How do you actually fix your pronunciation?
Knowing the rule is the easy part. What changes your mouth is short, frequent practice against a real model:
- Listen to European Portuguese at natural speed. Slowed-down audio restores the vowels that normal speech drops, so it trains the wrong ear. RTP radio and television are free.
- Record yourself and compare. Say one sentence, play it back next to the native version, and listen for one mistake at a time from the list above.
- Drill minimal pairs. avó/avô, pais/país, caro/carro, está/esta. Ask a Portuguese friend to say one at random and tell you which it was, then swap.
- Shadow. Play a short clip and speak along with it, a fraction of a second behind. It trains rhythm and vowel reduction together.
Recording yourself is the step most people skip. PoisPois builds it in: you read a line aloud and hear where it went wrong, against European Portuguese voices at natural speed. For the full path beyond pronunciation, see how to learn European Portuguese.
Sources
- As vogais do português europeu (vowel inventory and unstressed vowel reduction) — Ciberdúvidas
- O ditongo ou no contexto da norma-padrão (ou pronounced as closed ô) — Ciberdúvidas
- A pronúncia do ditongo ei (eira, dinheiro, deixei) II — Ciberdúvidas
- Rato & Machado (2024), Perception and production of English and Portuguese voiceless stops by heritage learners — Cambridge University Press
- A pronúncia do r simples no português de Portugal — Ciberdúvidas
- O «r» forte do português de Portugal — Ciberdúvidas
- Sobre a pronúncia do s — Ciberdúvidas
- A pronúncia correspondente à letra o (avó, avô; porta, Porto) — Ciberdúvidas
- A diferença entre ditongo e hiato (pais, país) — Ciberdúvidas
- A pronúncia de -em final em Portugal — Ciberdúvidas
- Seis termos da descrição fonética e fonológica (lh and nh as palatals) — Ciberdúvidas
- Acentuação gráfica e acento tónico — Ciberdúvidas
- A pronúncia da sequência ti no português europeu — Ciberdúvidas